Well, thank goodness I did a proper clear out because I was delighted to find not only my nursery rhyme book, but also a box of women's magazines from the 1930s and 1950s which had come to me from my grandfather in the 1980s. At that time, I thought they were great, but I hadn't begun collecting either knitting books or vintage fashion at that time, I was too busy with a young family for a start. I did contact the State Library of Victoria to ask whether or not they were interested in them, and donated some. I was thrilled to find them today because I hadn't seen them for years and assumed I must have donated them all.
The most interesting of the pile are the four oldest - Everylady's Journal (1933), The Australian Home Journal (1934) and two copies of The New Idea (1933 and 1935). What a treasure trove!
Here is a gorgeous photo from Everylady's Journal:
|L-R: Maggy Rouff's white satin evening gown, Lucien Lelong's black satin dress and Lelong's crepe dress studded with steel nail heads.|
"The frock is fashioned of palest grey woollen material in basket weave. The lines are simple, and the skirt very long, falling at least two inches on the floor in front, and going into a tiny train at the back. Beadings, about an inch wide, formed from crystal beads and costume emeralds, make the belt, and are also carried from shoulder to hem, where a more elaborate pattern is worked out.What would be a very low decolletage in front is raised to the height of a simple dinner dress by band of silver bugles, which are also used in loops over the right arm. The gown is backless and is fastened at the waist with a crystal and emerald clasp." (p.297) How I was wishing for modern photography. What a stunner this would be on the red carpet at the Oscars.
So that's why the dresses are so long! They weren't taller, they wore their evening gowns so much longer than floor length. I hate to think about the number of twisted ankles or worse (not to mention shoes put through the hems of dresses) that were probably caused by such dresses.
As well as knitting, crochet and tatting patterns the magazines are full of illustrations showing patterns that one could send away for.
The Australian Home Journal provided free paper patterns with every issue as well.
Magazines from the '30s and '40s are full of ideas for accessorising and how to make your one plain dress look like four different outfits. After all, they were in the grip of the Great Depression, closely followed by war, so they had to make the most of what they had. Clothes were expensive in those days, or you made your own.
Change collars and cuffs, add a trim or a little bolero, and hey presto! New outfit.
As always with these old magazines, the advertisements are an entertainment by themselves. This goes to show that women were just as worried about their shape as they are today, although the model presents a more realistic image than is often seen today.
|Youth-O-Form reducing pills.|
The New Idea magazine is still going strong today, although quite different in appearance and content. This is how those '30s gals got those gorgeous waves - setting lotion of course.
|Demonstrating how to set the "finger waves".|
"Miriam Jordan is seen here in a Spring gown of organdie, with a gored skirt flared to fashionable fullness. A three-tiered cape collar forms short sleeves, and cornflower blue velvet ribbon is used as a belt. A blue velvet ribbon, matching that used on the frock, trims the hat. Miss Jordan wears this frock in the new Fox film, 'I Loved You Wednesday'." (p.24) This was apparently Miss Jordan's best film as her career was short and a bit lacklustre (except for the frocks). Here she is in a still from the film, wearing that organdie dress:
She seems to have been better known for her frocks than for her acting.
More fascinating ads. Yes, it's not something I've previously given any thought to, but how did they manage to conceal sanitary napkins under those clingy bias cut dresses?
Of course, they had the Equaliser! (?) "A radical innovation! Ends must be phantomised . Kotex only- offers this special shaping making it possible to wear the closest fitting gown without the slightest revealing line." (p.31)
How lovely is this lingerie advertisement from The Australian Home Journal:
I'm always a sucker for the undies.
The New Idea ran an article for expectant mothers, including instructions on how to lace their corset, although it suggested that a supporting band was more comfortable.
And while we're on the subject of motherhood, if your little girl is failing to thrive, feed her custard with her fruit and watch her bloom! Who knew?
I was very interesting in this AMP insurance advertisement which shows the husband drying dishes. I was impressed. I'll bet there weren't too many around helping with that chore in 1935.
Note the washing happening in the enamel bowl on the kitchen table. I wonder when most kitchens had sinks.
And finally, the best discovery of the evening for a knitting book collector. Dating is always tricky because few knitting books have the date printed in them. But newly published and advertised in The Australian Home Journal in 1934 is Patons book no.4. So now we have a starting date for the biggest publisher of knitting books in Australia, Patons, or Patons & Baldwins as they were in the 1930s. Only three issues before this one, so we can safely say they began publishing in Australia in 1933 or 1934. Yay!
And look what else I found, circa late '50s or early '60s:
Loved to death, held together by metres of sticky tape, the pages in tatters. I still love it. Henry can't escape it the next time her comes.
The Australian Home Journal, February 1, 1934.
Everylady's Journal, May 1, 1933.
The New Idea, October 6, 1933.
The New Idea, November 29, 1935.